Stuck in Jawbone

Where did the missing mage go? What does the little ghost boy want? Where did all those ghouls in the sewer come from? How does the factory mass-produce enchanted gadgets? Why won’t the sheriff pursue the intruders who attacked her daughter?

What is wrong with this town?

It’s time to uncover the dark secrets hidden beneath Jawbone’s less-than-pristine snow. Get embroiled in local dramas. Hunt monsters in the sewer. Take up the retired swordsman’s challenge to a duel. Help that nice young mage find their lost brother. Go see the ghost who appears in the graveyard every night. Or grab your silver bullets and wooden stakes and head on out to the haunted temple.

The Module

Stuck in Jawbone is a Weird West mystery adventure for use with Dungeon World, but should be fairly easy to adapt to the rule system of your choice. It can be played as a campaign starter or a 3 to 5-session self-contained adventure. The central mystery has several possible entry points and intertwined paths that provide interesting challenges for all playbooks. There’s plenty to do, and splitting the party is highly recommended.


  • Version 0.9 May 6, 2020 1:05 pm
    It’s been a long time since I’ve updated this one, but Stuck in Jawbone now has a few more NPCs, more clues (and better organized lists of them), an introduction, a table for converting stats to u...
  • No more ugly borders! (Minor bug fix.) August 30, 2019 7:54 pm
    I opened the latest pdf file in Foxit Reader and noticed something: big ugly boxes around many (but oddly not all) of the links! That's what I get for not checking it in more apps before uploading. An...
  • Stuck in Jawbone v0.8 August 27, 2019 2:58 am
    Here's the August update of Stuck in Jawbone. And it's still August, so it's technically not even late! Changes include some rearranging of people, places, and things, pruning redundant text, clarifyi...
  • Version 0.8 coming soon, but not today. August 23, 2019 10:10 pm
    Almost done with v0.8! This version is mostly about making the section organization more consistent and navigable, clarifying and tightening the text. It's not going to look very different; I'm still...
  • Gauntlet Playtest 2: Open Table Stress Test August 4, 2019 5:05 pm
    After the first playtest in June, I immediately started another month-long series on the Gauntlet. My players this time were Tom , Scot , Patrick, Adam, Will , Alex , and Brendan. Yes, that's seven pl...
  • Playtesting Jawbone on the Gauntlet July 29, 2019 2:08 am
    By June, I had an actual complete draft of the module, and I decided to playtest it on the Gauntlet , a gaming community I've been playing with for a while. I was a little intimidated to run a game th...
  • Stuck in Jawbone public beta! July 22, 2019 4:45 am
    Happy to announce that the first public beta of Stuck in Jawbone is available for download! Version 0.7.20 isn't beautiful, but it's playable, and I think I've caught most of the typos. If you use i...
  • First playtest with Dungeon World June 22, 2019 3:10 am
    The problem with playtesting a mystery module is that you have to keep getting new people to play it, which meant that sooner or later I was going to have to GM this thing for total strangers. So I de...
  • Playtest with 5E June 5, 2019 1:55 pm
    I recently finished the third ever playtest of Stuck in Jawbone , and it was doubly successful: the players seemed to enjoy it, and I found a few gaps I'd overlooked. This was also my first "beta" pl...

Abandoned Schoolbus off Timber Run Rd.

[Download the Kindle and EPUB versions]

In the summer we knocked all the windows out. Side-kick to the windshield like Bruce Lee, sheets of glass folding in. Climbed in over square glass crumbs, slashed our names in the seats.

Come fall they moved in: skinny man and skinnier boy, black-haired pale-skinned. They talked to our folks on the creek bank: It’s free, you can’t beat that. They patched the bus windows with newspapers, rebel flag, trash bags, duct tape.

At school the boy made a police badge, Dayne County Sheriff, tinfoil on cardboard. Every day he wore it, bright silver, on the same black sweatshirt. We chased him with rocks from the bus stop. Running, he’d point one finger back: Bang. We caught him, threw his badge in the creek, watched it come unglued in the current. Shreds of brown and silver swirled down to red mud.

Christmas break, the cold came. The boy slept against the man’s back, and they didn’t freeze. The man brought home Dumpster food, old bread, stolen cans. Some days, whiskey to keep them warm. The boy said he’d grow up, be a cop. The man slapped him and cried.

After a while the man left. Told the boy don’t leave till he got back. Snowdrifts piled up to the windows. Snow-broken trees fell down across the hood, branches tore the windshield trash bags loose, flapping in the wind. Worst cold in fifty years. County come looking for the boy when the snow went down. It was on the news for days. He wasn’t dead, but they cut his legs off.

Now we tell everyone he was our friend.

Previously published in Literary Potpourri and Ink Pot.

Falling Rock

Falling Rock book cover

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Darcy’s been alone long enough to get good at it. She’s the only woman in her family to have passed twenty-five without being married at least once. Men leave her alone. She figures this has to do with her looks. Darcy is six feet tall, broad-shouldered and long-limbed. She has short black hair and walnut eyes and a long-strided walk. She doesn’t smile unless she means it.

She has a good job, delivering mail to the rural routes out of Falling Rock, a job she almost likes even after six years. The mail takes her out on the back roads, into dark hollows where tarpaper shacks crouch ghost-blue in the morning fog. The air cupped in the valleys smells like woodsmoke and sewage and damp red earth. After a rain, the creeks are swollen and rust-colored. Mist piles up over the water and the clay turns to slime.

Half the roads are named after Stonewall Jackson. They’re one and a half cars wide, limestone gravel and red clay. They snake past woods and bottomland farms, churches and trailer parks, between plunging litter-filled ravines and cutaway cliffs with the coal veins exposed. Skid marks and scatterings of glass mark where people have missed the turns.

Darcy knows these roads the way her hands know a song. She follows them half daydreaming, only noticing when a new obstacle shows up — a landslide, a downed tree, a house trailer being inched over the crest of a hill. She carries jumper cables and a come-along and a guitar in the back of her Blazer.

Songs come to her best when she’s driving, bits of songs that she brings to Helen. They’re in a band with Darcy’s cousin Ray Jo and Helen’s husband Dean. They call themselves the Falling Rock Four until they think of a real name. Their stage is the barn behind Helen and Dean’s house. They have a field of junk cars where a crowd gathers on Saturday nights: mostly kids down from WVU, with kayaks and mountain bikes strapped to their jeeps.

It’s close to fall now. The radio calls for the first frost with every clear night, and the goldenrod drips over the roadbanks. The college kids have gone back to Morgantown. The Falling Rock Four will keep playing every week until the cold makes their hands too clumsy and stiff to play. Somebody will always show up. There’s nothing else to do.

The fog is clearing away when she reaches the top of Jackson Hill. A seven-foot plywood Jesus staked at the outside of the curve watches over the road with flat blue eyes. He holds a sign: REPENT. In smaller letters: BLACK CREEK CHURCH. SUNDAY SERVICES 10-12. PASTOR GERALD STARKEY. The sign is stuck with dead leaves from the property-line oak behind it. A peeling red blaze at eye level marks a boundary between farms that have long since gone back to woods.

The line comes to her from somewhere in the back of her mind: You trace your path in blood, leave a trail of unmarked graves.

“Yes!” Darcy slaps the steering wheel for emphasis. “Shit, yes.” She listens to it again in her mind, turning the words like rounded stones tumbling over each other at the bottom of the river; a low hard voice down among snarling bass notes. She doesn’t know what would come after it, but goddamn, what a line. Helen will love it.

She finishes the route in a new-song trance, that one line repeating itself over and over. But no more words have come by the time she finishes sorting her outgoing mail at the post office and heads for Helen and Dean’s place out past the river.

A car hood propped against a tree in the rutted yard announces: SATURDAY NIGHT CONCERTS $2. KIDS FREE. BYOB. Dean isn’t home, or at least his van isn’t there, but she can see Helen moving around through a window. The house is bleach-yellow and streaked with mildew. A little porch juts from under the doorway on railroad-tie legs, green plastic carpet over plywood that bows under Darcy’s feet. She doesn’t have to knock but she does anyway, rocking the guitar on the toe of her sneaker until Helen hollers for her to come in.

Janis Joplin wails from the stereo on the table, coming down through a clotheshanger antenna. Helen is wadding plastic bags into a bigger one for the recycle bin at Kroger. “Coffee.” She points with her chin at the stove, where steam rises from hot water and a jar of instant is balanced on the dish rack.

Darcy dumps the pooled water out of a mug and measures out coffee and water and half-sour milk, which dribbles onto her hand. She licks it from the webbing between her thumb and first finger.

“Isaac’s teacher called,” Helen says. “They’re gonna let him in third grade, he passes a test.”

“How hard’s the test?”

Helen punches the last handful of plastic into the softly bulging bag. “Same one the normal kids take.”

“Pretty hard for him.” Darcy sits down so she doesn’t loom over Helen like some awkward giant. Her height doesn’t usually bother her, but around Helen she feels clumsy.

“I don’t think this class could do him any more good,” Helen says. “I think he’s got all he can get from it.” Isaac is eleven and he’s been in the same class for three years. Nobody’s sure exactly what’s wrong with him, but it’s obvious there’s something.

“Where is he?”

“In the crick.” Helen waves at the window, where Darcy can see the top half of Isaac through a screen of goldenrod on the bank. “I give up tryna keep him out of there.”

“We played in it. Wasn’t much cleaner then,” Darcy says. “Or maybe you didn’t.” She can’t picture Helen wallowing in that rust-colored, sewage-smelling water.

Helen sighs. “I played in the crick,” she says. “I got in mud fights. I occasionally even stepped in cow shit.”

Darcy laughs and runs her fingers along the web of cracks in the wooden table. Helen’s been her best friend since Darcy forgave her for high school. Even where everybody grows up poor there are still different levels of poor, and Darcy was near the bottom. Sometimes people from a church they never went to would leave bags of food and clothes in the bed of her mother’s truck while her mother was inside mopping morning-after beer and vomit from the Dog Hair Inn floor. Helen was one of the kids who never let Darcy forget that. Darcy remembers being tripped down stairwells, hit with rocks and softballs and books. They always laughed. Sometimes she’d strike out with cornered-bobcat fury, swinging wildly at whoever was closest. It didn’t stop anything, but being attacked in revenge was better than being attacked for the usual reasons.

A few years after Darcy finished school, Helen showed up at her trailer with Isaac and said, “I know you got to hate me.”

There were a lot of things Darcy wanted to say. Most of them would have sent Helen back down the road. But she said, “Long time ago. I pretty much forgot about it.”

It took Helen a long time to realize how much of a lie that was, and by then Ray Jo had started taking Darcy to concerts, trying to get her to join the band. The first time she heard Helen sing, Darcy could see the notes: small brown birds rising up from a dark kudzu-tangled forest of sound. It made the muscles in her back shiver, the bottom drop out of her stomach, her arms loosen from her shoulders. When Helen sang, Darcy forgot about high school. She wanted to catch the fluttering birds and hold them cupped in her hands.


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Right of Way

Right of Way book cover

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Dust chokes the woods, stirred up to mix with heat and diesel fumes by the bulldozers working on a home site across the unpaved street, and Jim watches from the leafy shadows inside the barbed-wire boundary to his ever-shrinking triangle of land. Three men stand and talk in what will be a driveway while the big Cats growl around them. The street is barely above sea-level, in a flood zone, and they are building up a space for a new house.

He strips off a maple twig and chews the end ragged, feeling the thirty acres stretching behind him, brushy dry sweet-smelling woods that hide the square cinder block house he shares with his wife and daughter.

The edge of the road is loose sand piled up almost to the wire. Every time the street is graded it edges another foot or two onto his property. Let them come, Jim thinks. Let them get tangled up in the wire and ruin their machines. He picks up a bottle cap from near his foot and pictures barbed wire lashing and twisting in the tracks. He scowls and flings the cap out into the washboarded road.

Not far behind him, his daughter Annie crouches barefoot and silent in the rosemary bushes, watching her father. She is fifteen and probably gay, and anywhere else it would be more than probably. But this is Starkey, Georgia, and the Ku Klux Klan still holds its rallies down Second Street, and the churches hand out their pamphlets on the dangers of the New Age movement. In Starkey, if you are anything but white heterosexual Baptist, you keep it to yourself.

Sometimes Annie dreams of a woman’s hands on her, and her own hands on a woman’s body, and the dreams always make her sad. Sometimes when she wakes up she goes and finds something solid to hold onto, a tree usually, and presses herself against it tight with the bark imprinting the pale insides of her arms.

Linda, Jim’s common-law wife and Annie’s common-law stepmother, is usually the one to follow Jim around on his trapping days, but she’s at work. He does this about once a month, near the full moon, but today he’s riled up about the dozers and the new house going to be right across the road, and he isn’t waiting for the moon. This morning, Annie knew it was a trapping day when she got up for school and saw him in the garage sharpening a machete. Rope and wire were coiled on the floor near his feet, and he was singing softly, the soft scraping of the sharpener providing an uneven rhythm. When Annie walked in and the door squeaked, he flung the machete. He jerked his hand back halfway through the motion when he saw it was her, but not soon enough to stop it. She jumped out of the way, but it was already flying past her. It landed point-down in the laundry basket on top of the dryer. How many times I tell you never sneak up on me like that? His voice seemed to snag on something. She didn’t answer, just looked at the machete sticking up out of the basket and imagined throwing it back at him. The blade would hit him across the forehead. Dark blood would cover his face.

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